The news magazine “60 Minutes,” which debuted in 1968, also rose in popularity, and has been a top 20 program for most of the past 45 years. In 1975, CBS claimed thirteen out of the top 20 spots in addition to their sitcoms, audiences tuned into dramas like “The Waltons,” “Kojak,” “Hawaii Five-O” and “Mannix.” In 1978, “Dallas” premiered, popularizing nighttime soap operas and perfecting the “cliffhanger” which has become a staple for dramas and comedies alike. They also developed the concept of spinoff series, finding more winners with shows like “Maude” and “The Jeffersons” from “All in the Family” and “Rhoda” and “Phyllis” from “The Mary Tyler Moore Show.” Edgier comedies like “All in the Family,” “The Mary Tyler Moore Show,” and “M*A*S*H” dealt with controversial and timely topics with humor, revolutionizing the genre. In 1971, CBS cancelled many of their several successful TV series they felt attracted older audiences, and replaced them with new programs they hoped would appeal to a younger demographic. However, going into the next decade, the network would make some drastic changes that led to the “rural purge.” “The Dick Van Dyke Show,” “The Andy Griffith Show,” “The Beverly Hillbillies,” “Family Affair,” “The Lucy Show,” “Green Acres,” “Hogan’s Heroes” and “Gomer Pyle, U.S.M.C.” are just a few of the sitcoms throughout the decade that attracted viewers. In the 1960s, the network commanded the top ten, often claiming six to eight spots, most notably with family-friendly comedies. “Gunsmoke” would become one of the longest-running series on television, and helped to popularize the western genre from 1957-1967, a western held the top spot for eight years, four of them by “Gunsmoke.” Anthology series were hugely popular in the early days of television, with a famous film director finding additional success on the small screen with “Alfred Hitchcock Presents.” Also in the top ten was one of the first successful quiz shows, “The $64,000 Question,” which would eventually go down in infamy for cheating scandals, nearly destroying the genre. “The Jack Benny Show” and “The Ed Sullivan Show” helped set the standards by which variety shows are made Sullivan was also the biggest star-maker in the industry for over 20 years. “I Love Lucy” quickly rose on the ratings charts, and CBS began producing a string of hits during the 1956-1957 season, CBS claimed nine out of the top ten spots, with several different genres. Their control over “I Love Lucy” led to innovative techniques such as multiple-camera filming, the use of studio audiences and the airing of “rerun” episodes. Nonetheless, they agreed, and thinking the show wouldn’t do well, allowed Lucille Ball and Desi Arnaz to have financial control over “I Love Lucy,” leading to the couple’s successful production company Desilu, which was behind several series on all three networks. However, her husband was from Cuba, and CBS executives didn’t think Americans would believe an American woman would marry a hispanic. One successful radio series they wanted to convert was “My Favorite Husband,” but the star refused to commit unless her real-life husband was allowed to be her lead. Like NBC, CBS transitioned radio programs over to television. In the earliest days of TV, CBS and NBC vied for top spots in the ratings by the mid-1950s, CBS commanded the lead with pioneering and groundbreaking programs across multiple genres - a trend that would continue for decades. With the creation of ABC a few years later, the “Big Three” networks dominated the small screen for half a century before receiving competition from Fox network, cable stations and, later, streaming services. The original post must've been a gag.Along with rival NBC, CBS (originally, Columbia Broadcasting System) found success in radio before adding on the new medium of television in the 1940s. No straight male in his right mind could ever confuse her with Aint Bee, though. We had to study every inch of her - not a bad gig at all. Although the images you posted make her look like a sexpot, her personality onscreen was more innocent - a girl-next-door type who was only inadvertently sexy. She's a live-action Preston Blair or Freddie Moore (Disney) cartoon. She really does look like a 1940s girl drawing: big eyes, pouty lips, big head, cute petite figure. John saw Gloria on TCM one night, and decided her head and figure had the ideal proportions for a pretty girl "type" in animation. He especially loved the way Owen drew cartoon girls. John Kricfalusi is a big fan of Owen Fitzgerald's Bob Hope comics. On Ren & Stimpy, the layout crew had to practice drawing her for a cartoon called Naked Beach Frenzy.
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